《莫奈 Manet and the Family Rom来自ance》作者是Nancy Locke。
Édouard Manet's paintings have long been recognized for being visually compelling and uniquely recalcitrant. While critics have noted the presence of family members and intimates in paintings such as L来自e Déjeuner sur l'herbe, Nancy Locke takes an unprecedented look at the significance of the 长运artist's family relationships for his art. Locke argues that a kind of mythology of the family, or Freudian family romance, frequently structures Man360百科et's compositional decisions and choice of model宪月抗令s. By looking at the representation of the 例叶感大越family as a volatile mechanism for the develop吗顾好养判厚ment of sexuality and of repression, conflict, and desire, Locke brings powerfu践希哪越创世击l new interpretations to some of Manet's most co核左乱某我亲mplex works. Locke considers, for example, the i汽宪除令二协mpact of a 家未章father-son dram图修肉a rooted in a closely guarded family secret: the adultery of Manet père and the status of Léon Leenhoff. Her nuanced explo假ration of the imp其室背特哥问lications of thi即犯掉普西始s story--that Manet in fact married his father's mistress--makes us look afresh at even well-known paintings such as Olympia. This book sheds new light o放源识山省便危国武n Manet's infamous interest in gypsies, street musicians, and itinerants as Locke analyzes the activi象树刻食ties of Manet's father as a civil judge. She also reexamines the close friendship between Manet and the Impressionist pa众则inter Berthe Morisot, who married Manet's brother. Morisot becomes the subject of a ser益负必电优精越过受很安ies of meditations on the e批制lusiveness of the self, the transience of identity, and conflicting concerns with appearances and respectability. Manet and the Family Romance offers an entirely new set of arguments about the cultural forces that shaped these alluring paintings.
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